На информационном ресурсе применяются рекомендательные технологии (информационные технологии предоставления информации на основе сбора, систематизации и анализа сведений, относящихся к предпочтениям пользователей сети "Интернет", находящихся на территории Российской Федерации)

The Conversation (Coppola, 1974); A Nasty One From the Heart

When considering the astonishing run of acclaimed director Francis Ford Coppola's work in the 1970's, most minds tune in to those films that have become touchstones of popular culture: The Godfather Parts I & II, and Apocalypse Now. Neither film requires much introduction here. Some, but not
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Coming Soon (FOR REAL): Nosferatu, (Murnau, 1921)

When approaching any project, this whether medium you are working in is film, music, writing, painting, whatever, there is one basic thing that you begin with, and there is one essential thing that you end with. You begin with your vision for the project--that is, what you would like the end
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T-Men & Raw Deal (Mann/Alton, 1947): A Cry Into The Void

Let's pretend for a minute that the dazzling duo of Eagle Lion titles Raw Deal and T-Men was considered lost, and only now had been rediscovered over the past say eighteen months. Let's also pretend that the reputations of Mann and Alton, based on the strength of the canon of both men independent
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Atentát (1965) Vs. Hangmen (1943) Vs. Operation Daybreak (1975)--The Mirror of Murder Has Three Faces

On the advice of my dear friend and cinematic colleague Serdar202, I've taken in the--now-- third film that I've seen dealing with the subject of Reinhard Heydrich, Obergruppenfuhrer SS/SD and Reichsprotektor of Bohemia/Moravia (Czechoslovakia) .  .  .  the film called Atentat (1965) was made by a
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Repulsion (Roman Polanski, 1965)

(Compton Films, 1965) It's not every day that a film that has been sitting so obviously in my mind's eye for procurement, screaming out for viewing for so long, turns out to be this good after finally relenting, nor is it every day that a film tricks me as completely as Repulsion by Roman Polanski.
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