На информационном ресурсе применяются рекомендательные технологии (информационные технологии предоставления информации на основе сбора, систематизации и анализа сведений, относящихся к предпочтениям пользователей сети "Интернет", находящихся на территории Российской Федерации)

Atentát (1965) Vs. Hangmen (1943) Vs. Operation Daybreak (1975)--The Mirror of Murder Has Three Faces

On the advice of my dear friend and cinematic colleague Serdar202, I've taken in the--now-- third film that I've seen dealing with the subject of Reinhard Heydrich, Obergruppenfuhrer SS/SD and Reichsprotektor of Bohemia/Moravia (Czechoslovakia) .  .  .  the film called Atentat (1965) was made by a
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Repulsion (Roman Polanski, 1965)

(Compton Films, 1965) It's not every day that a film that has been sitting so obviously in my mind's eye for procurement, screaming out for viewing for so long, turns out to be this good after finally relenting, nor is it every day that a film tricks me as completely as Repulsion by Roman Polanski.
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Paul Leni: Loss of a Jolly Master

When we think of great directors from the German Silent Era who died far too young, I think of three gentlemen: one is quite obvious, two are far less well known.  The first would of course be F.W Murnau, who famously died in March 1931 via a Pacific Coast Highway auto crash just before his film
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Hangmen Also Die (Fritz Lang, 1943), Part the First

How talented was the person of Fritz Lang, what an artist! Every bit the cinematic compatriot of F.W. Muranu, subject of yesterday's rhapsody, the two men yet could not be more different in terms of sensibility and personality. Far more concerned with the concrete aspects of the darker side of
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FW Murnau: Twice As Bright, Half As Long

A rare peek at the lighter side of the man. (IMG: Fox films) Cinema to me will always be embodied by the DNA of the output of two men: James Whale in the sound era, and F.W. Murnau in the silent era. This isn't necessarily because I claim historical supremacy of these two particular men above all
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